Behringer POLY D Synthesizers

Insanely fat sounds

The inspired synth tracks laid down in the 1970s and ’80s are inscribed in the annals of progressive rock, jazz fusion, new wave, and synth-pop forever, making them fully classic in every sense. The Poly D’s pure analog signal path with renowned VCO, VCF and VCA circuits, lets you re-create all that storied magic — or craft original, incurably obese sounds and blaze your own musical path.

Your musical time machine

With the Behringer Poly D, you can quickly and easily whip up virtually any monophonic — or polyphonic — analog synth sound you can dream up. The all-analog signal path is based on authentic VCO, VCF, VCA, and ladder filter designs working in concert with four fully analog triangle/square wave VCOs (the original had three). Playing a Poly D is like firing up your own musical time machine, where you can go retro — or craft the future!

Three modes to choose from

With the Poly D, you have your choice of three modes: monophonic, polyphonic, or unison. With Mono, you have the characteristics of a classic monosynth like the original D, but with even fatter and more expressive bass lines, blistering solos, and swoopy portamentos. Flip the switch to Poly, and you can play up to four-note chords to produce luscious chord harmonies and pads that add soul and depth to your music. Unison Mode thickens your sound by layering all the Poly D’s four voices on top of each other, adding harmonic content for a richer sound. To enrich your tone even further, Behringer includes two beloved circuits from the ’80s: a J60-modeled BBD Stereo analog Chorus, and a DS1-modeled analog Distortion (overdrive) circuit.